Readings in ethnomusicology /

INTRODUCTION ix COMMENTS ON THE SELECTIONS xi THE FIELD Bruno Nettl, “What is Ethnomusicology?” 3 [from Theory and Method in Ethno- musicology, 1964, pp. 7-26] NOTATION AND CLASSIFICATION Kurt Reinhard, “The Berlin Phonogramm Archiv” 17 [from The Folklore and Folk Music Archivist, V, 2, pp. 1-4] Charles Seeger, “Prescriptive and Descriptive Music Writing” 24 [from The Musical Quarterly, XLIV, April (1958), pp. 184-195] Mantle Hood, “Sléndro and Pélog Redefıned” 35 with a Note on Laboratory Methods by Max Harrell [from Selected Reports, I, 1 (1966), pp. 28-48] Linton C. Freeman and Alan P. Merriam, “Statistical Classification in Anthropology: An Application to Ethnomusicology” 56 [from American Anthropologist, 58 (1956), pp. 464-472] Samuel P. Bayard, “Prolegomena to a Study of the Principal Melodic Families of British-American Folksong” 65 [from Journal of American Folklore, 63, 247 (1950), pp. 1-44] HISTORY Paul Collaer, “Cartography and Ethno- musicology” 113 [from Ethnomusicology, II, 2 (1957), pp. 66-68] George Herzog, “Plains Ghost Dance and Great Basin Music” 116 [from American Anthropologist, 37 (1935), pp. 403-419] Willard Rhodes, “A Study of Music Diffusion Based on the Wandering of the Opening Peyote Song” 132 [from Journal of the International Folk Music Council, 10 (1958), pp. 42-49] Theodore C. Grame, “Bamboo and Music: A New Approach to Organology” 142 [from Ethnomusicology, 6 (1962), pp. 8-14] Bruno Nettl, “Historical Aspects of Ethnomusicology” 150 [from American Anthropologist, 60, 3 (1958), pp. 518-5 32] FUNCTIONALISM Richard A. Waterman, “Music in Australian Aboriginal Culture - Some Sociological and Psychological Implications” 167 [from Journal of Music Therapy, V (1955), pp. 40-49] Edwin G. Burrows, “Music on Ifaluk Atoll in the Caroline Islands” 175 [from Ethnomusicology, volume 2 (1958), pp. 9-22] Harold C. Conklin and Jose Maceda, “Hanunóo Music from the Philippines” 186 [from Ethnic Folkways Library (1955) 20 pp.] David P. McAllester, “Indian Music in the Southwest” 215 [from Taylor Museum of the Colorado Springs Fine Arts Center, 1962, 15 pp.] Alan Lomax, “Song Structure and Social Structure” 227 [fromEthnology, 1 (1962), pp. 425-451] George List, “The Boundaries of Speech and Song” 253 [from Ethnomusicology, 7 (1963), pp. 1-16] Leonard B. Meyer, “Universalism and Relativism in the Study of Ethnic Music” 269 [from Ethnomusicology, 4 (1960), pp. 49-54] S. F. Nadel, “The Origins of Music” 277 [from Musical Quarterly, XVI (1930), pp. 531-546] REGIONAL STUDIES Robert E. Brown, “India's Music” 293 [from Chapters in Indian Civilization, Vol. II, British and Modern Period, 1967, pp. 367-403] J. H. Nketia, “Modern Trends in Ghana Music” 330 [from African Music, l, 4, (1957), pp. 13-17] Laurence Picken, “Chinese Music” 336 [from The New Oxford History of Music, Oxford University Press, pp. 83-96] William P. Malm, “Practical Approaches to Japanese Music” 353 [from Center for Japanese Studies, Occasional Papers, No. 9, University of Michigan Press, 1965, pp. 95-104] SELECTED AND ANNOTATED BIBLIOGRAPHY 367