Sounds of change : social and political features of music in Africa /

Oliver Mtukudzi & The Black Spirits: Wasakara (7’27”). --Remmy Ongala: Mambo Kwa Soksi (8’01”). -- Maryam Mursal: Somali Udiida Ceb (5’38”). -- Matoub Lounès: Sserhass Ayadu (4’01”). -- Roger Lucey: Lungile Tabalaza (3’25”). -- Wendo: Marie-Louise (3’22”). -- Georges Ouédraogo: Rosalie (4’09”). -- Doundosy: Djecka (3’22”). -- The Perfect Generation: Kakoolo No. 1 Hit (4’49”). -- Rose Quaye: Enyidado Egya (5’25”). -- Kwanongoma College of Music: Amaxoxo (2’07”).

Introduction. – Music in Zimbabwe’s crisis / Mai Palmberg (Sweden). Women in music: some notes on Zimbabwe / Susan Makore (Zimbabwe). -- Remmy Ongala – moderating through music / Annemette Kirkegaard (Denmark). – “Not to be broadcasted” / Ole Reitov & Marie Korpe (Denmark). – Modern African music – an autonomous music / Wolfgang Bender (Germany). – Music industry in Burkina Faso and Mali - The case of Seydoni production / interview with Richard Traoré (Burkina Faso). --Intellectual property rights and unfair exploitation of traditional music and other traditional knowledge in Africa / Krister Malm (Sweden). – ”Bringing the global home” locating agency in the reconfiguration of western music by Ugandan youth / Richard Ssewakiryanga (Uganda). – Local, traditional, and global aspects of contemporary African music in South African television / Caleb Okumu Chrispo (Kenya). – Music teacher education in Ghana:
training for the churches or for the schools? / James Flolu (Ghana). – Swedish mission and music education in Southern Africa / Stig-Magnus Thorsén (Sweden). – “Contemporary is only an analytical tool” / interview with j. H. Kwabena Nketia (Ghana).