Music in the dialogue of cultures : traditional music and cultural policy /

S.421-439: Index

Preface by Barthold C. Witte 9

MAX PETER BAUMANN
Introduction: Towards New Directions in the Dialogue of
Music Cultures 11

HANS-PETER REINECKE 15
Musicology in the Dialogue of Cultures


1. CULTURAL POLICIES AND THEIR EFFECT ON MUSICAL LIFE

MAX PETER BAUMANN
Traditional Music in the Focus of Cultural Policy 22

OSKAR ELSCHEK
Traditional Music and Cultural Politics 32

MARCIA HERNDON
Music and Public Policy 56

LINDA FUJIE
A Comparison of Cultural Policies Towards Traditional
Music in the United States and Japan 68

J. H. KWABENA NKETIA
Music and Cultural Policy in Contemporary Africa 77

SALWA EL-SHAWAN CASTELO-BRANCO
Cultural Policy and Traditional Music in Portugal since 1974 95

MARTIN RAMSTEDT
Revitalization of Balinese Classical Dance and Music 108

VEIT ERLMANN
Tradition, Popular Culture and Social Transformation 121


2. INSTITUTIONS AND PROJECTS

YOSHIHIKO TOKUMARU
The ATPA Project in Retrospect 136

CHOU WEN-CHUNG
US. - China Arts Exchange: A Practice in Search
of a Philosophy 144

ERICH ST OCKMANN
International Cooperation in Ethnomusicology and its Promotion
by the International Council for Traditional Music (ICTM) 165


GABRIELE BERLIN
Developing Methods of Intercultural Musical Education 173

JAN LING
Joint Field Research in the Cultural Dialogue. Musicology
and Music Society in Sweden 185

ARTUR SIMON
The Bornu Music Documentation Project. Applied
Ethnomusicology and Cultural Cooperation in Northern
Nigeria 199


3. DOCUMENTING AND ARCHIVING

DIETRICH SCHÜLLER
North-South Dialogue with Regard to Field Research and
Audiovisual Documentation: Ethical, Organizational and
Technical Aspects 206

DIETER CHRISTENSEN
Traditional Music, Nationalism, and Musicological Research 215

ROBERT GÜNTHER
Some Remarks Regarding Music Documentation, its Planning
and Realization Requiring Cooperation Between Two or More
Countries 224

RAFAEL JOSÉ DE MENEZES BASTOS
Phonographic Recording as “Our” Emblem for the Music of the
“Other.” Towards an Anthropology of the Musicological
Juncture: Vergleichende Musikwissenschafı, Ethnomusicology
and Historical Musicology 232


4. CONCERTS AND RECORDS

HABIB HASSAN TOUMA
Strategies and Tactics for Presentation of Non-European Music
in the West and their Contribution to the Enhancement of
Aesthetic Knowledge Amongst the General Public 244

JOSEF KUCKERTZ
Presentations of Musicians in Concerts and Workshops 248

ULRICH WEGNER
Traditional Music on Stage: Two Case Studies from Iraq 255

JAN FAIRLEY
“The Blind Leading the Blind:” Changing Perceptions of
Traditional Music: The Case of the Peruvian Ayllu Sulca 272

ANTHONY SEEGER
Creating and Confronting Cultures: Issues of Editing and
Selection in Records and Videotapes of Musical Performances 290

ALBRECHT SCHNEIDER
Traditional Music, Pop, and the Problem of Copyright Protection 302


5. RESEARCH STRATEGIES AND CROSS-CULTURAL
UNDERSTANDING

GERHARD KUBIK
Documentation in the Field. Scientific Strategies and the
Psychology of Culture Contact 318

RUDOLF BRANDL
Cooperation in the Study of Greek Folk Music: The Triadic
Relationship Between Foreign Field-Worker, Greek Folklorist, and
Musicians (Problems and Expectations) 336

CAROL E. ROBERTSON
The Ethnomusicologist as Midwife 347

ROBERT E. BROWN
World Music: The Voyager Enigma 365

JAN STȨSZEWSKI
On the Role of Value Criteria in Ethnomusicological Research 375


6. ETHNOMUSICOLOGICAL RESEARCH IN THE USSR

EDUARD ALEXEYEV
The Accomplishments and Prospects of Soviet
Ethnomusicology 386

ISABELLA EOLIAN
Research on the Traditional Music of the Near and Middle
East Undertaken in the Soviet Union 396

INGRID RÜÜTEL
Finno-Ugric Folk Music Activities in Estonia 405


7. FINAL DISCUSSION 416


Index 421