Global pop : world music, world markets /
by Taylor, Timothy D.
Type:
BookPublisher: New York ; London : Routledge, 1997Description: xxiii, 271 s. : kuv., nuott., taul.ISBN: 0415918715 (sid.); 0415918723 (nid.).Subject(s): World beat (Music) -- History and criticism | musiikinhistoria -- maailmanmusiikki -- 1900-luku | musikhistoria -- värlsmusik -- 1900-talet | popmusik -- kritik | populärmusik -- kritik | musiikinhistoria -- populaarimusiikki | popmusiikki -- historia | populaarimusiikki -- arvostelu | popmusiikki -- arvostelu | populärmusik -- historia | popmusik -- historia | populaarimusiikki -- historia | populaarimusiikki -- globalisaatio | maailmanmusiikki -- globalisaatio | populaarimusiikki globalisaatio | maailmanmusiikki globalisaatio | Musik och samhälle | Musikbranschen
Item type:
Kirja
| Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|
| Kulttuuriosuuskunta Uulu | 1.8 TAY | Käsikirjasto |
S. [ix]-[x]: Contents. - S. [xi]-xii: Lists of tables, figures, and music examples. -S. [233]-258: References. - S. [261]-271: Index.
Acknowledgments.
Introduction.
Popular musics and globalization: Hasn't world music been around for thousands of years? ; Welcome to the market ; World musicians ; World music listeners ; The discources of world music.
"Nothin' but the same old story" : old hegemonies, new musics: Peter Gabriel: Us ; The work of art in an era of minimal reproduction ; Kronos Quartet: Pieces of Africa.
Strategies of resistance: Ladysmith Black Mambazo: Two worlds, one heart ; Rhoma Irama: "Qur'an dan Koran" ; Djur Djura : women of the (third) world, unite! ; Conclusions.
A music of one's own: Pauline Oliveros ; D'Cückoo: Umoja.
Strategic inauthenticity: Youssou N'Dour : "a modern griot" ; Angélique Kidjo : "let's create a better continent" ; Whose authenticity?.
Anglo-Asian self-fashioning: Sheila Chandra : "from me you've stolen east and west" ; Apache Indian's No reservations : "a very British sound" ; Bhangra in the U.S.
Toward a more perfect union : cross-cultural collaborations: Johnny Clegg, Sipho Mchunu, and Juluka ; The SongCatchers: "History 101" ; Zap Mama : the sound of channel surfing.
Conclusions : we are the world, and the world is us: Binaries? : yes/no ; Whose hybridity? ; The "global postmodern".
Appendix 1 : Billboard world music charts, arranged chronologically.
Appendix 2 : history of the folk, ethnic, and world music Grammy awards.
Appendix 3: "Dónall Óg".