Scales and modes around the world /

The musical scale -- Elements of the scale -- Scales in the Western music tradition -- Theory of diatonic scales -- Key signature -- The circle of fifths -- Key signatures of major and minor scales -- Pentatonic scales -- Hexatonic scales -- Heptatonic scales -- Heptatonic scales of Greek rebétiko music -- Heptatonic scales created by 20th century composers -- Octatonic scales -- Octatonic scales created by 20th century composers -- The bebop scales -- Octatonic scales used in Jewish synagoge chant -- Nonatonic (or enneatonic) scales -- Decatonic scales -- Modes -- The ancient Greek musical system -- The transpositions of the Greek modes -- The notation of ancient Greek music -- Greek Phrygian modes -- Greek Lydian modes -- Thre Greek mixolydian modes -- Byzantine modes -- The modes or tones -- The notation of Byzantine music -- The medieval church modes -- The Ionian mode -- Medieval and modern dorian mode -- Medieval and modern phrygian modes --

The medieval and modern lydian modes -- The medieval and modern mixolydian modes -- The aeolian modes -- The modern locrian modes -- Modes of the harmonic minor scale -- Modes of the melodic minor scale -- Modes of the Hungarian gypsy minor scale -- Modes of the Hungarian major scale -- Mixed modes -- Chromatic modes -- Modes of limited transposition -- The Takemitsu linea mode 1 and 2 -- Heptamodes -- Octamodes -- Nonatonic modes -- The chromatic decamode -- The chromatic undecamode -- Rechberger's decamodes -- Non-western scales -- The Arab tone system -- The Maqāmāt of the Assyrian/Syrian church -- The music of Persia/Iran -- The Persian musical system -- The Turkish musical system -- The Azerbaijani musical system -- The Indian musical systems -- The Rāgas -- The south east Asian musical systems -- Standard Indonesian musical scales -- Bali -- Nusa Tenggara Barat (Lombok & Sumbawa) -- Scales of the Khmer -- Thailand -- Laos -- Burma --

Musical systems of the minorities in south east Asia -- Vietnam -- The Chinese musical system -- Ancient Chinese bells -- The notation of Chinese music -- The Japanese musical system -- Japanese musical notation -- The Korean music system -- Korean string instruments -- Korean wind instruments -- Microtonal systems -- Main notation systems for microtonal music -- The harmonic series in conventional notation -- The first 64 notes of the harmonic series in Helmholtz-Ellis notation -- Equal temperament -- 5-Edo scales -- 6-Edo -- 7-Edo -- 8-Edo -- 9-Edo -- 10-Edo -- 11 Edo -- 13 Edo -- 14-Edo -- 15-Edo -- 16-Edo -- 17-Edo -- Comparison of ratios in the Arabian and Persian scale 17-tone temperament -- 18-Edo -- 19-Edo -- Mandelbaum's 19-tone modes -- 20-Edo -- 21-Edo -- 22-Edo -- Paul Erlich's scales in 22-Edo -- The 22-tone Śruti ratios -- 22-tone mode of the Tamil matra scale -- 23-Edo -- 24-Edo -- 25-Edo -- 26-Edo -- Paul Erlich's 26 tone equal modes -- 27-Edo -- 28-Edo -- 29-Edo --

30-Edo -- 31-Edo -- 32-Edo -- 34-Edo -- 37-Edo -- 40-Edo -- 41-Edo -- 43-Edo -- The Harry Partch 43-temperament -- 44-Edo -- 45-Edo -- 46-Edo -- 48-Edo -- 53-Edo -- 68-Edo -- 72-Edo -- 81-Edo -- 84-Edo -- 88-Edo -- 94-Edo --96-Edo -- 98-Edo -- Scales of African balafons and other xylophone instruments -- Scales of African horns and flutes -- African vocal scales -- African kora tunings -- African mbira and sanza scales -- Bagpipe scales -- Panpipe scales -- Vietnamese and Thai scales -- Madagascar scales -- Frequencies of intervals starting from C -- Scale/mode constructions in various tuning systems (ET).